ONE:It is only in this higher region that perfect virtue can be realised. The maintenance of a settled balance between rival solicitations, or between the excess and defect of those impulses which lead us to seek pleasure and avoid pain, is good indeed, but neither the only nor the chief good. The law of moderation does not extend to that supremely happy life which is related to our emotional existence as the aether to the terrestrial elements, as soul to body, as reason to sense, as science to opinion. Here it is the steady subordination of means to ends which imitates the insphering of the heavenly orbs, the hierarchy of psychic faculties, and the chain of syllogistic arguments. Of theoretic activity we cannot have too much, and all other activities, whether public or private, should be regarded as so much machinery for ensuring its peaceful prosecution. Wisdom and temperance had been absolutely identified by Socrates; they are as absolutely held apart by Aristotle. And what we have had occasion to observe in the other departments of thought is verified here once more. The method of analysis and opposition, apparently so prudent, proved, in the end, unfruitful. Notwithstanding his paradoxes, Socrates was substantially right. The moral regeneration of the world was destined to be brought about, not by Dorian discipline, but by free Athenian thought, working on practical conceptionsby the discovery of new moral truth, or rather by the dialectic development of old truth. And, conversely, the highest development of theoretic activity was not attained by isolating it in egoistic self-contemplation from the world of human needs, but by consecrating it to their service, informing it with their vitality, and subjecting it, in common with them, to that law of moderation from which no energy, however godlike, is exempt.
We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.
Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.
ONE:Xenophon has recorded another dialogue in which a young man named Euthydmus, who was also in training for a statesman, and who, as he supposed, had learned a great deal more out of books than Socrates could teach him, is brought to see how little he knows about ethical science. He is asked, Can a man be a good citizen without being just? No, he cannot.Can Euthydmus tell what acts are just? Yes, certainly, and also what are unjust.Under which head does he put such actions as lying, deceiving, harming, enslaving?Under the head of injustice.But suppose a hostile people are treated in the various manners specified, is that unjust?No, but it was understood that only ones friends were meant.Well, if a general encourages his own army by false statements, or a father deceives his child into taking medicine, or your friend seems likely to commit suicide, and you purloin a deadly weapon from him, is that unjust?No, we must add for the purpose of harming to our definition. Socrates, however, does not stop here, but goes on cross-examining until the unhappy student is reduced to a state of hopeless bewilderment and shame. He is then brought to perceive the necessity of self-knowledge, which is explained to mean knowledge of ones own powers. As a further exercise Euthydmus is put through his facings on the subject of good and evil. Health, wealth, strength, wisdom and beauty are mentioned as unquestionable goods. Socrates shows, in the style long afterwards imitated by Juvenal, that141 they are only means towards an end, and may be productive of harm no less than good.Happiness at any rate is an unquestionable good.Yes, unless we make it consist of questionable goods like those just enumerated.91But what had happened once before when philosophy was taken up by men of the world, repeated itself on this occasion. Attention was diverted from speculative to ethical problems, or at least to issues lying on the borderland between speculation and practice, such as those relating to the criterion of truth and the nature of the highest good. On neither of these topics had Epicureanism a consistent answer to give, especially when subjected to the cross-examination of rival schools eager to secure Roman favour for their own doctrines. Stated under any form, the Epicurean morality could not long satisfy the conquerors of the world. To some of them it would seem a shameful dereliction of duty, to others an irksome restraint on self-indulgence, while all would be alienated by its declared contempt for the general interests of culture and ambition. Add to this that the slightest acquaintance with astronomy, as it was then taught in Hellenic countries, would be fatal to a belief in the Epicurean physics, and we shall understand that the cause for which Lucretius contended was already lost before his great poem saw the light.
To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.
ONE:It took inexperienced Larry some time to open and inflate the tubular rubber device used for supporting survivors of any accident to the seaplane while afloat.
To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.
ONE:Sandy extended his hand and Jeff readily surrendered the letter.
From the purely practical to the richly philosophical, design is the solution to a host of challenges.
ONE:Referring first to the saving effected by combining several operations in one machine, there is perhaps not one constructor in twenty that ever stops to consider what is really gained, and perhaps not one purchaser in a hundred that does the same thing. The impression is, that when one machine performs two operations it saves a second machine. A remarkable example of this exists in the manufacture of combination machines in Europe for working wood, where it is common to find complicated [69] machines that will perform all the operations of a joiner's shop, but as a rule only one thing at a time, and usually in an inconvenient manner, each operation being hampered and interfered with by another; and in changing from one kind of work to another the adjustments and changes generally equal and sometimes exceed the work to be done. What is stranger still is, that such machines are purchased, when their cost often equals that of separate machines to perform the same work.Some of the soldiers were furious and others distressed on account of the great number of comrades left on the battle-field, while they hardly made any progress against the tenacity of the Allies. Those who were not seriously wounded were not even put up in hospitals or similar buildings, as there was only room for a few, although many private houses had been turned into supplementary hospitals. In the streets and the cafs I saw therefore hundreds of men in bandages.
There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.
ONE:It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destinythe great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity."I have told Saunders not to admit any more visitors," she said. "Positively I shall break down if I don't get a rest soon. Does Mamie make too much noise for you! If so, call to Miss Lawrence."
FORE:"I am afraid I am utterly in the dark, Lawrence," said Charlton."What can it all mean?" she whispered.
Published Aug 30.
TWO:I was now escorted to a spot where on some straw several soldiers were sleeping, who had to do sentry-go at two o'clock that night. It was a part of the platform which was not even roofed, and entirely under the open sky. But they anyway had straw to lie on, and sufficient cover, but I had to lie down between them on the flags, without any blanket. A separate sentry was commanded to watch me; every two hours another was charged with the task. I was allowed to try and sleep, with the warning that I should be shot at the slightest attempt to escape.II.
Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.
In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.
Read More
FORE:Jeff cut the gun.
Published Aug 28.
TWO:"7. Who neglect necessary precautions which ought to be taken on behalf of the army.
Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.
In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.
Read More
CRAFTED IN NEW YORK, USA.
Such, so far as they can be ascertained, are the most important facts in the life of Plotinus. Interwoven with these, we find some legendary details which vividly illustrate the superstition and credulity of the age. It is evident from his childish talk about the numbers six and nine that Porphyry was imbued with Pythagorean ideas. Accordingly, his whole account of Plotinus is dominated by the wish to represent that philosopher under the guise of a Pythagorean saint. We have already alluded to the manner in which he exalts his heros remarkable sagacity into a power of supernatural prescience and divination. He also tells us, with the most unsuspecting good faith, how a certain Alexandrian philosopher whose jealousy had been excited by the success of his illustrious countryman, endeavoured to draw down the malignant influences of the stars on the head of Plotinus, but was obliged to desist on finding that the attack recoiled on himself.421 On another occasion, an Egyptian priest, by way of exhibiting his skill in magic, offered to conjure up the daemon or guardian spirit of Plotinus. The latter readily consented, and the Temple of Isis was chosen for the scene of the operations, as, according to the Egyptian, no other spot sufficiently pure for the purpose could be found in Rome. The incantations were duly pronounced, when, much to the admiration of those present, a god made his appearance instead of the expected daemon. By what particular marks the divinity of the apparition was determined, Porphyry omits to mention. The philosopher was congratulated by his countryman on the possession of such a distinguished patron, but the celestial visitor vanished before any questions could be put to him. This mishap was attributed to a friend281 who, either from envy or fear, choked the birds which had been given him to hold, and which seem to have played a very important part in the incantation, though what it was, we do not find more particularly specified.422To lounge there in that dimly-lighted and perfectly appointed room was soothing and restful. Bruce carried his head a little higher as he made his way home.
Some Address 987,
+34 9884 4893
|
